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Submitted on
October 21, 2013
Image Size
3.3 MB


2,192 (1 today)
51 (who?)

Camera Data

iPhone 5s
Shutter Speed
1/24 second
Focal Length
4 mm
ISO Speed
Date Taken
Oct 20, 2013, 9:42:20 PM
QuickTime 7.7.1
Wood Nymph Refining the Concept 3 by ddorrity Wood Nymph Refining the Concept 3 by ddorrity
The base is turning into a full fledged tree.

This is for a sculpture based on Zienna Eve, a model from Bornholm, Denmark.

Zienna Eve
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reckonyx Featured By Owner Nov 13, 2014  New member Hobbyist
nice work!
ddorrity Featured By Owner Nov 17, 2014
Thank you. I like your cave troll as well.
Observer14 Featured By Owner Oct 24, 2013  Hobbyist Traditional Artist
Ooooh...  Really like the way you did the base, though for the life of me, I don't know how you got it to hold the weight of the head.

ddorrity Featured By Owner Oct 24, 2013
There is a threaded steel bar that screws into the base that I got at Home Depot.
Observer14 Featured By Owner Oct 25, 2013  Hobbyist Traditional Artist
I do a lot of sculpture work (never tried bronze yet), and I've always had problems with armatures because of the shrinkage of the clay over a stiff frame makes it crack.  (One reason why I've never gone much bigger than about 24".)  Maybe I just need to learn more.

Do you usually end up doing your pieces in bronze, or fired clay?  (I love your dancer piece!)
ddorrity Featured By Owner Oct 26, 2013
Several of my pieces are ready for bronze, but I have not yet bronzed any.  I think you just need to use the right kind of clay.  You shouldn't have shrinkage issues with professional grade clay.  However, you will always fight your armature, so the more you can plan it out in the beginning the better.  To do larger pieces you usually have to weld together steel bars or rebar.  So I usually do a rough of a smaller piece first to figure out how the armature will look then weld the steel armature together.
Observer14 Featured By Owner Oct 26, 2013  Hobbyist Traditional Artist
I really liked your WIP photos of the dancer, and how you started out with almost an entire skeleton.  That's REALLY paying attention to the anatomy!

Guess I'll just have to try it again.  My previous experience was with smaller pieces, so there may be something with larger bulks.  I also know you used foam in one place, which would have the ability to compress as the clay shrinks.  I can also see the "fighting the armature" point.  I tend to tweak positions a lot as I'm sculpting, so planning it out ahead of time is going to take some real discipline, and an eye to visualize the piece.  Yeah, I've seen some of your test pieces, and can see how they would be invaluable.

(I use all professional grades of clay, but I still get up to 20% shrinkage.  I may need a higher grog content, or perhaps even mixing in paper fiber to reduce shrink.  )

miguelzuppo Featured By Owner Oct 22, 2013  Professional
great work !!!
ddorrity Featured By Owner Oct 23, 2013
Thank you sir.
hadasaugh Featured By Owner Oct 22, 2013  Professional General Artist
Marvelous technique and great choice to go with your feelings on the base.  I love it!
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